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・ Samuel Vaughan Merrick
・ Samuel Vedanayagam Pillai
・ Samuel Verblunsky
・ Samuel Vestal
・ Samuel Vestey, 2nd Baron Vestey
・ Samuel Vestey, 3rd Baron Vestey
・ Samuel Vetch
・ Samuel Viall House
・ Samuel Viant
・ Samuel Vickery
・ Samuel Victor Perry
・ Samuel Vilozny
・ Samuel Vince
・ Samuel Vincent
・ Samuel Vital
Samuel von Brukenthal
・ Samuel von Cocceji
・ Samuel von Fischer
・ Samuel von Pufendorf
・ Samuel von Schmettau
・ Samuel Vázquez
・ Samuel W Hill
・ Samuel W. Alderson
・ Samuel W. Arnold
・ Samuel W. Backus
・ Samuel W. Black
・ Samuel W. Block
・ Samuel W. Bridgham
・ Samuel W. Bryant
・ Samuel W. Cockrell House


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Samuel von Brukenthal : ウィキペディア英語版
Samuel von Brukenthal

Samuel von Brukenthal (1721, Nocrich – 1803, Sibiu) was the Habsburg governor of the Grand Principality of Transylvania between July 6, 1774 and January 9, 1787. He was a baron of the Holy Roman Empire, and personal advisor of Empress Maria Theresa.
His home, a large palace in Sibiu, is currently home to the Brukenthal National Museum (formed around the collections he gathered, and expanded from a public exhibit first opened in 1817).
== Life ==
Samuel von Brukenthal was born on 26 July 1721 in Leschkirch (Romanian: Nocrich), between Sibiu and Agnetheln. His grandfather and father had been royal judges. He started the construction of the palace a year after being elected governor of Transylvania (1777). The major difficulty in the construction of the "new house" consisted in the obligation to keep to the two demolished lots, the church and the Jesuit seminary. Unlike palaces surrounded by parks, the edifices built in the interior of the medieval towns are strictly limited to the existence of the initial lots. The palace built by Samuel von Brukenthal has a rectangular foundation, enclosing an inner courtyard. The access to the palace and to the courtyard is made through a portal situated in the axis of the narrow side, towards the front of the street.
The Brukenthal Palace in Sibiu represents one of the Baroque treasures in Central Europe. The construction of this imposing edifice had as no other purpose, from the very beginning, than the creation of a propitious background for the conservation of an art collection and of antiquities having an inestimable value.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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